Sista Monica Parker and her All-Star Band return to Center for the Arts
The return of Sista Monica and her All-Star Band will kick off a series of blues concerts produced by Paul Emery at The Center For the Arts in Grass Valley. “Sista Monica’s performance last April was incredible, so I’m bringing her back by popular demand,” said Emery.
Other shows at the Center include Roy Rogers and the Delta Rhythm Kings on Nov. 21, Charlie Musselwhite Dec. 5 and James Cotton March 11. “These are some of the best blues artists on the scene today and I’m thrilled to be able to bring them to our area,” added Emery.
Emery intends to do a monthly blues event throughout the year at a variety of venues. “I can’t think of a better way to kick off the series than with Sista Monica. If your favorites include Etta James, Ruth Brown and Aretha Franklin, this is a concert for you,” he said. “Don’t forget to bring your dancing shoes.”
Like so many other powerful contemporary blues women, Sista Monica Parker got her start singing in church. She began singing at age seven and began touring with the choir as a 12-year-old. She sang with her local church choir in places like Chicago and Detroit, and got her exposure to show business – albeit in the church – early. Parker cites Al Green, Aretha Franklin, the Staple Singers, Jackie Wilson, and Sam Cooke as early influences.
Inspired by her neighbor MC Hammer, Parker decided to turn her longtime love of singing into more than just an avocation. She began sharing stages in Northern California clubs and festivals with Gladys Knight, Mavis Staples, Taj Mahal, Luther Allison, Etta James, and other blues and classic R&B legends.
By 1995, she had recorded and released her debut, Get Outta My Way! Radio programmers latched onto the tune Windy City Burner, and she and her band were able to tour around the U.S., Europe, and Canada in support of it. She recorded a second album, the self-titled Sista Monica, in 1997.
In 1998 she received a W.C. Handy Award nomination under the Best Contemporary Blues, Female category and won a California Music Award the same year for Most Outstanding Blues Artist. In 2000 Parker released her third album, People Love the Blues, which showcases the talents of Jimmy Thackery, Larry McCray, and Dan Caron from the Charles Brown Band.
In 2001, she released her first gospel album, Gimme That Old Time Religion, an artistic full circle for her, as she returned to the gospel roots of her youth. That same year, she released Live in Europe, which captures the spirit and energy of her live performances with her touring band. It was on tour in Europe in the late ’90s that she first got the moniker “the Blues Lioness.”
In 2002, she was presented with the Blues Artist of the Year award at the 17th annual Monterey Bay Blues Festival. After completing a 17-concert tour of the Netherlands in late 2002, she discovered a lump under her right arm and later found out it was a rare and severe form of cancer, synovial sarcoma. Parker underwent more than a year of chemotherapy, radiation treatments, and physical therapy, always affirming herself and holding onto her faith in God and her will to live.
In 2004, she re-emerged on the scene and recorded an album of soul and jazz standards popularized by Ray Charles and Dinah Washington, Love, Soul & Spirit, Vol. 1. Her latest release, Can’t Keep a Good Woman Down!, showcases her abilities as a blues and classic R&B vocalist, but also includes some well-chosen covers, including Willie Nelson’s Funny How Time Slips Away and Sam Cooke’s A Change Gonna Come. Can’t Keep a Good Woman Down! reflects her new perspective on life, reaffirms her faith in God, and casts new meaning on the healing powers of blues and gospel music.
Not only is she one of today’s most powerful singers of blues, gospel, classic R&B, and soul, she’s also a cancer survivor. As of late 2008 and early 2009, Parker continues to tour around the U.S. and parts of Europe
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