Going against the grain — Slaid Cleaves brings his new album ‘Ghost on the Car Radio’ to Nevada City | TheUnion.com

Going against the grain — Slaid Cleaves brings his new album ‘Ghost on the Car Radio’ to Nevada City

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Slaid Cleaves has a career spanning 25 years in the music industry and his new album "Ghost on the Car Radio" features some of his most potent songwriting.
Photo by Karen Cleaves |


WHAT: Slaid Cleaves

WHEN: 8 p.m. Friday

WHERE: Nevada Theatre, 401 Broad Street, Nevada City

TICKETS: $25 general admission, $35 reserved seating. BriarPatch Co-op Community Market — 530-272-5333. Tickets online at www.paulemerymusic.com

WEBPAGE: http://paulemerymusic.com/slaid-cleaves/


Singer/songwriter Slaid Cleaves returns to Nevada City for a concert at 8 p.m. Friday at the historic Nevada Theatre.

“Ghost on the Car Radio” is Cleaves’ first release since 2013’s “Still Fighting the War,” which was praised as “one of the year’s best albums” by American Songwriter and “carefully crafted … songs about the struggles of the heart in hard times” by the Wall Street Journal.

“I tend to think of songs as the whiskey of writing,” said Cleaves. “Distilled down to the essence, powerful, concentrated, immediate. You can take it all in and really feel it in just seconds.”

Now 25 years into his storied career, Cleaves’ songwriting has never been more potent than on his new album, “Ghost on the Car Radio.”

The characters in Cleaves’ songs live in unglamorous reality. They work dead-end jobs, they run out of money, they grow old, they hold on to each other (or not), and they die. With an eye for the beauty in everyday life, he tells their stories, bringing a bit of empathy to their uncaring world.

On “Take Home Pay,” co-written with longtime friend Rod Picott, Cleaves sings from the perspective of an aging manual laborer, fighting looming regret and sadness with stubborn resiliency (and opioid use).

“As befits the times we live in, there’s a heavy dose of disappointment and disillusion here,” he said.

But somehow, through the worst of it, optimism remains, as if to say, “Yeah, things are pretty bad out there. But there’s still some good stuff if you know where to look.”

One place his characters find solace is with each other. Traditional love songs are not often found on a Cleaves record. Here he approaches the subject less as a romantic gesture, and more as a world-weary appreciation of the one who’s seen you through thick and thin, as in the song “So Good to Me.”

“Songs are so accessible. You don’t need an education to fully appreciate them, you don’t need a lot of leisure time to spend on them, you don’t need to learn the language of song. We seem to be born with it,” Cleaves said. “With no preparation at all, they can bring you to tears in a matter of seconds. I remember being three or four and getting a lump in my throat when I heard Hank Williams sing.”

Now in his 50s, Cleaves admits that it’s sometimes hard to stay inspired.

“I do become jaded,” he said. “I wonder that, at this point in my career, I’ve had no real national success. No impact on the culture, as my heroes had. The music that I love just doesn’t seem relevant to mainstream culture. But then, I have no interest in what mainstream culture offers either.”

“But those feelings are always quickly overcome by gratitude,” he said. “I’m making a living as a musician, and making a meaningful connection with people — what could be better than that?”

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