Country-blues from Leo Kottke at The Center for the Arts in Grass Valley
KNOW & GO
WHO: The Center for the Arts presents
WHAT: An Evening with Leo Kottke
WHEN: 8 p.m. Friday
WHERE: The Center for the Arts, 314 W. Main St., Grass Valley
TICKETS: $42 Member, $47 Public
Tickets at: The Center for the Arts Box Office or by calling 530-274-8384 ext 14
BriarPatch Food Coop - 530-272-5333,
Tickets online at www.thecenterforthearts.org
Acoustic guitarist Leo Kottke comes to The Center for the Arts in downtown Grass Valley on Friday.
Kottke has been awarded two Grammy nominations; a Doctorate in Music Performance by the Peck School of Music at the University of Wisconsin, Milwaukee; and a Certificate of Significant Achievement in Not Playing the Trombone from the University of Texas at Brownsville with Texas Southmost College.
With a love for the country-blues of Mississippi John Hurt to the music of John Phillip Sousa and Preston Epps, Kottke joined the Navy underage, to be underwater, and eventually lost some hearing shooting at light bulbs in the Atlantic while serving on the USS Halfbeak, a diesel submarine.
Kottke had previously entered college at the University of Missouri, dropping out after a year to hitchhike across the country to South Carolina, then to New London and into the Navy, with his 12 string.
“The trip was not something I enjoyed,” he has said, “I was broke and met too many interesting people.”
Discharged in 1964, he settled in the Twin Cities area and became a fixture at Minneapolis’ Scholar Coffeehouse, which had been home to Bob Dylan and John Koerner.
He issued his 1968 recording debut LP “Twelve String Blues,” recorded on a Viking quarter-inch tape recorder, for the Scholar’s tiny Oblivion label. (The label released one other LP by The Langston Hughes Memorial Eclectic Jazz Band.)
After sending tapes to guitarist John Fahey, Kottke was signed to Fahey’s Takoma label, releasing what has come to be called the Armadillo record. Fahey and his manager Denny Bruce soon secured a production deal for Kottke with Capitol Records.
Kottke’s 1971 major-label debut, “Mudlark,” positioned him somewhat uneasily in the singer/songwriter vein, despite his own wishes to remain an instrumental performer.
Still, despite arguments with label heads as well as with Bruce, Kottke flourished during his tenure on Capitol, as records like 1972’s “Greenhouse” and 1973’s live “My Feet Are Smiling” and “Ice Water” found him branching out with guest musicians and honing his guitar technique.
With 1975’s “Chewing Pine,” Kottke reached the U.S. Top 30 for the second time; he also gained an international following thanks to his continuing tours in Europe and Australia. His collaboration with Phish bassist Mike Gordon, “Clone,” caught audiences’ attention in 2002. Kottke and Gordon followed with a recording in the Bahamas called “Sixty Six Steps,” produced by Leo’s old friend and Prince producer David Z.
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