David Bromberg plays in Grass Valley June 26
Legendary folk singer and guitarist David Bromberg, who was out of the limelight for many years, is touring again — including a stop June 26 at The Center for The Arts in Grass Valley.
The David Bromberg Quintet is touring to promote his latest CD, “Only Slightly Mad,” released in 2014.
Over a 40-year career, Bromberg has kept company with Bob Dylan, The Beastie Boys, George Harrison, Emmylou Harris, Doc Watson, John Hiatt, Jerry Garcia, Reverend Gary Davis, Dr. John, Pete Seeger, Willie Nelson, John Prine, Phoebe Snow, Jerry Jeff Walker, and Mississippi John Hurt, among many others.
Bromberg was born in Philadelphia in 1945 and raised in Tarrytown, NY.
“As a kid I listened to rock ’n’ roll and whatever else was on the radio,” says Bromberg. “I discovered Pete Seeger and The Weavers and, through them, Reverend Gary Davis. I then discovered Big Bill Broonzy, who led me to Muddy Waters and the Chicago blues. This was more or less the same time I discovered Flatt and Scruggs, which led to Bill Monroe and Doc Watson.”
David began studying guitar at age 13 and eventually enrolled in Columbia University as a musicology major. The Greenwich Village folk scene in the mid-’60s drew David to the downtown clubs and coffeehouses, where he could watch and learn from the best performers, including primary sources such as his inspiration and teacher, the Reverend Gary Davis.
Bromberg’s sensitive and versatile approach to guitar-playing earned him jobs playing the Village “basket houses” for tips, the occasional paying gig, and employment as a backing musician for Tom Paxton, Jerry Jeff Walker and Rosalie Sorrels, among others.
An unexpected and wildly successful solo spot for 600,000 concert goers at the 1970 Isle of Wight Festival in Great Britain led to a solo deal with Columbia Records, for whom David recorded four albums. His eponymous 1971 debut included “The Holdup,” a songwriting collaboration with former Beatle George Harrison, who also played slide guitar on the track. David also met the Grateful Dead and wound up with four of their members playing on his next two albums.
Bromberg’s material, based in the folk and blues idioms, continually expanded with each new album to encompass bluegrass, ragtime, country and ethnic music, and his touring band grew apace. By the mid-’70s, the David Bromberg Big Band included horn players, a violinist, and several multi-instrumentalists, including David himself.
Despite sold-out concerts and a string of acclaimed albums on the Fantasy label, Bromberg found himself exhausted by the logistics of the music business.
“I decided to change the direction of my life,” he explains. So David dissolved his band in 1980, and he and his artist/musician wife, Nancy Josephson, moved from Northern California to Chicago, where David attended the Kenneth Warren School of Violin Making. Though he still toured periodically, the recordings slowed to a trickle and then stopped.
After “too many Chicago winters,” in 2002 David and Nancy were lured to Wilmington, Del., where they became part of the city’s artist-in-residence program and where David could establish David Bromberg Fine Violins, a retail store and repair shop for high quality instruments. Frequent participation in the city’s weekly jam sessions helped rekindle Bromberg’s desire to make music again, as did the encouragement of fellow musicians Chris Hillman (The Byrds, Desert Rose Band, Flying Burrito Brothers) and bluegrass wizard Herb Pedersen.
With the release of the Grammy-nominated “Try Me One More Time,” his 2007 solo return to the studio, David continued his musical revitalization, playing shows on his own, with the David Bromberg Quartet, and reunions of the David Bromberg Big Band.
In 2013, content with the balance of both his violin business and performing career, David was ready to record again with his live band. Enlisting old friend Larry Campbell (three-time Grammy-winning producer for Levon Helm and multi-instrumentalist with Bob Dylan) and engineer Justin Guip, David and his group entered Levon Helm Studios in Woodstock, NY, in March 2013. Enlisting some of Helm’s former recording and touring musicians for added instrumentation, the David Bromberg Band emerged 12 days later with Only Slightly Mad, a return to his genre-bending albums of the Seventies and Eighties. Bromberg fans will find blues, bluegrass, gospel, folk, Irish fiddle tunes, pop and English drinking songs happily coexisting as they can only on a Bromberg album, “Only Slightly Mad.” The June 26 show is at The Center for the Arts, 314 W. Main St., Grass Valley.
Doors open at 7, set begins at 8 p.m
Tickets are $40, $45; 530-274-8384
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